Maui Firescreen (2019)
Oil on an Oak Fireguard
58cm x 71cm

Maud Fairwing / Reliable Narrator (2021)
Oil on a Silver Plated Brass Plate
35cm x 35cm
SOLD

Maiden Voyage New Plymouth / Ngāmotu 1893 (2021)
(Referenced from the first known image of
women going to a polling station in New Zealand)
Oil on a Vintage Suitcase
61cm x 40cm x 20cm

Portrait of a Lady Chicken (2021)
Oil on a Brass Plate
51cm x 51cm
SOLD

Sunken Kirk of Swinside Fell (2021)
Oil and Enamel on a Vintage Jaguar Bonnet
131cm x 116cm

Good Girl Gone Bad (2021)
Oil and Enamel on a Vintage Brass Table Top
61.5cm x 61.5cm

A Computation of Time (Beatrice Tinsley) (2021)
Oil and Enamel on a Vintage Daimler Bonnet
114cm x 114cm

Heather Feather (2021)
Oil on Board (Nine Panels)
225cm x 225cm

Crepuscular Sect

Oil on Tin Can

21cm x 18cm x 25cm

SOLD

Cupids on Badgers

Oil on Accordion Case (comes with accordion)

45cm x 49cm x 24cm

Lindsay / God of Subsistence

Oil on Jeep Car Bonnet

120cm x 78cm

SOLD

Little Hand  / The Inverse Principality

Oil on Tin Can

10cm x 15cm

Morning Brass
Oil on Found Metal Decorative Plate
43cm x 43cm

SOLD

Polycycle Sigil

Oil on Singer Gazelle Car Bonnet

109cm x 108cm

SOLD

Ship Inside This House You’ve Made

Oil on Tin Can

15cm x 10cm x 4cm

SOLD

Supernova Sam

Oil on Metal Filing Cabinet Panels

117cm x 120cm

SOLD

The Kraken

Oil on Canvas

60 x 70cm

no.16compoundclusterfit_oilonfibreglasscarpanel_148x123

No.16 – Compound Cluster Fit

Oil on Car Panel

1480cm x 123cm

manulikestodisco_oilandenameloncarhood_127x134

Manu Likes To Disco

Oil on Capri Car Bonnet

127cm x 134cm

SOLD

jeanjeanbloemfontein_oilandenameloncarhood_121x115

Jean Jean Bloemfontein

Oil on Car Bonnet

121cm x 115cm

SOLD

blueprintforabear_oilonboard_196x196

Blue print for a Bear (2016)

Oil on board

196cm x 196cm

SOLD

cartoonswampjazz_inkonboard_104x128

Cartoon Swamp Jazz (2016)

Ink on Board

104cm x 128cm

Mabel (2012)

Oil on Wood

128cm x 58cm x 40cm

SOLD

Soft Cone

Oil on filing cabinet panel

121cm x 60cm

SOLD

Herman

Limited Edition of 33 Screen Prints on Cairnes Eco Kraft paper

50cm x 70cmm

ENQUIRE

David Le Fleming (NZ)

Solo exhibitions:

2019 ‘Original Myth’ Potocki Paterson, Wellington
2018 ‘Scrapyard Saints’ Potocki Paterson, Wellington
2016 ‘Instruments of Possession’ Potocki Paterson, Wellington
2015 ‘Inflammable Liquids’ See Studio, London
2009 ‘Petrol’ Signal Gallery, London
2008 ‘Gullwing Mary and the Dannevirke Divas’ Empire Gallery, London
2008 ‘Morri’s Gumpy’ Charlotte Street, London
2006 ‘Ted Mongering’ Foundry, London
2005 ‘Saltarello’ Charlotte Street, London
2004 ‘No Peerless Social Lion’ Foundry, London
2003 ‘Making up for Lost Body Language’ Anvil House, Wellington
2003 ‘No.2 Join the Hayboy Club’ Start Gallery, Wellington
2002 ‘Cordial Factions’ Anvil House, Wellington
2002 ‘Vocabulary Gone Feral’ Walrus Gallery, Wellington
2001 ‘Barney’s World of Absolutes’ Gallery on Riddiford, Wellington
2001 ‘My Guru Needs Fixing’ Rimu Street Gallery, Eastbourne

Selected group exhibitions:

2017 ‘Objects of Desire’ Apart, London
2015 ‘Lost and Found’ James Freeman Gallery, London
2012 ‘Apart Winter Show’ Apart, London
2011 ‘Apart Summer Show’ Apart, London
2011 ‘Generations’ Chelsea Old Town Hall & Saatchi Gallery, London
2011 ‘Configured’ Signal Gallery, London
2010 ‘From London to Lille’ Vertikall Gallery, Lille
2010 ’10 Years Apart’ Apart, London
2010 ‘Carrousel du Louvre’ Louvre, Paris
2010 ‘Jam 3’ Vitry-sur-Seine, Paris
2010 ‘Cluster Fits Five’ Foundry, London
2009 ‘Artists for Dalai Lama’ Krauts Gallery, Köln & Frankfurt
2009 ‘Nice Old Bank on the Corner’ Apart, London
2009 ‘Go Figure’ Krauts Gallery, Cocoon Club, Frankfurt
2008 ‘House of Yamake’ Apart, London

Statement:

David’s work mixes painting techniques and media, which along with his conceptual and physical motifs, hint at alternate ways of seeing.

Repetitive line work, features heavily in his work, which he uses to abstractly plot narratives, and convey essential character study information.

He predominantly chooses found objects to paint on, such as vintage car bonnets, or old metal objects with typography and defects, that then become woven into his work.

The past lives of these items, form an important element of his work, as well as reflecting his interest in the passage of time, which has, and remains, a constant theme of his work.

He lives and works in Taranaki on New Zealand’s North Island.